B.A. in Theatre

Bachelor of Arts in Theatre
Format: In person on the Statesboro Campus
Credit Hours: 124

Rooted in a dynamic curriculum that combines theoretical foundations with practical experiences, the Bachelor of Arts in Theatre program offers you a well-rounded education in the performing arts.

Theatre majors are involved in the full production experience with opportunities in acting, design, dramaturgy, theatre-focused research and criticism, production management, technology, musical theatre, and video production. We are a hands-on program that creates a culture of engagement that unites theory and practice, extends the learning environment beyond the classroom, and develops an appreciation for the historical and contemporary global diversity of theatre and performance. The program is committed to exploring a wide range of historical and contemporary drama and production styles, as well as emergent theory, practice, and technology; and to promoting a culture of social engagement and global awareness at both the program and university levels.

Students can pursue a major or minor on the Statesboro Campus and a minor on the Armstrong Campus.

Course highlights include:

  • theatre history, theatre management, children’s theatre
  • script analysis, play writing and directing
  • acting fundamentals, voice and movement for the stage, acting for the screen, performance styles
  • auditioning and the business of acting
  • scene and production design, stage construction techniques, costume design and stage makeup
  • video production, audio production and sound design
  • lighting design and cinematography

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Take Your Work Outside the Classroom

Outside the classroom theatre students are active in productions as actors, designers, stage managers, dramaturgs and assistant directors. In addition, our students are active in Theatre South (Statesboro) and Masquers (Armstrong)—student organizations that sponsor workshops and productions; Alpha Psi Omega—a national theatre honors fraternity that promotes service and extracurricular training. Our students have the opportunity to attend the Kennedy Center American College Theatre Festival, The South East Theatre Conference, The Georgia Theatre Conference for workshops, job fairs, and networking opportunities, and the Georgia Thespians Conference. Students from our program work in summer stock companies, participate in internship programs nationally, and work in the thriving Georgia Film Industry. Further, we have alumni who move on to prestigious MFA programs and alumni networks working in New York, Los Angeles, Chicago, and Atlanta.  Click here to read about some of our theatre alumni.

At Work

We have alumni who move on to prestigious MFA programs and alumni networking working in New York, Los Angeles, Chicago and Atlanta.

Click here to read about some of our alumni.

Ibi Owolabi, Class of 2015, was recently awarded the prestigious Drama League Fellowship which includes residency in New York, and work with the Manhattan Theatre Club,  Red Bull Theater, Dallas Theater Center, including her role as Assistant Director for the Tony nominated Cost of Living on Broadway

Ibi is making her Off Broadway debut as the director of Poof! by Pulitzer Prizewinning playwright Lynn Nottage at the prestigious Keen Company.

In Atlanta, she has been a Kenny Leon Fellow at the Alliance Theatre and has directed plays at Actors Express, the Synchronicity Theatre, Emory, and the Weird Sisters Project. 

Tajh Oates, Class of  2016, is the Production Manager of The Alley Theatre in Houston which is one of the largest and most well regarded acting companies in America.  He has also worked at Arizona Theatre Company, The Public Theatre in NYC, Utah Shakespeare Festival and Westport County Playhouse.  

Theatre & film alum Akil Jackson recently appeared in Ava Duverney’s Origin and the feature film Devotion, He was just awarded Best Actor in a Short film at the Mammoth Film Festival for his role in Don’t Worry About Tomorrow Behind the camera, Akil works consistently on films and series from ABC, Netflix, Amazon Prime, and WB 

Jordan Taylor recently began a fully funded program at Northwestern University where she is earning her MFA in Acting.  She will be trained by artists from the Steppenwolf and Goodman theatres in Chicago as well as become a practitioner of SoulWork.  

Peyton Rowe, Class of 2019, was just accepted to the prestigious Acting MFA program at New York University which is one of the top 3 acting graduate programs in the country.  Peyton recently performed the role of Desdemona in Othello at the Tiny Theatre Company in Atlanta where she also appeared in Romeo & Juliet and Taming of the Shrew.  Since graduating she has also worked for the Democratic Party of Georgia.  

Peyton will be studying Shakespeare at BADA summer 2024 in a fully funded program in Oxford, England.  This summer she will also be performing in New York at 54 Below.

Gabrielle Scott is spending her first season since graduating as a stage manager at the Orlando Shakespeare Festival.  She has previously worked at the Utah Shakespeare Festival.

Tsiambwom Akuchu MFA was recently made Assistant Professor of Dance at California State University Long Beach and has taught at Colby College and has performed at DANCENOW at Joe’s Pub in New York, and the Kennedy Center in D.C.

Bailey McClure MFA has recently been made Assistant Professor of Scenic Design at University of West Georgia.  She has been a designer in New York City for many years working Off Broadway, on Sesame Street (PBS/HBO) and the show Everything’s Trash (Freeform & Hulu)

Kristyl Tift,  PhD MFA was recently made Assistant Professor of Acting and Directing at Vanderbilt University.  Her Voiceover narration of Brandy Colbert’s Blackbirds in the Sky (Harper Audio) recently won the Audiofile Earphones award for Outstanding Narration. 

Tatyana Arrington is based in Atlanta and currently works as an actress and entertainment reporter. She conducts interviews with celebrities, tastemakers, and disruptors across many industries including film, music, fashion and pop culture with such brands as Netflix, Prime Video, and Essence.

Brock Vickers is an Actor, Writer, and Producer based in the Atlanta area who has appeared in many commercials as well as acted in roles on television for Netflix, AMC, Discovery and Passionflix. Brock is a sales agent, producer and voiceover artist for Forio which produces training videos for clients such as Facebook/Meta, Harvard, MIT, University Of Michigan,University of Colorado, and Salesforce. 

Dylan Richards spent a season performing at Lost Colony theatre and has had work on Manunter on Apple TV+, Hulu Original The Girl From Plainville, and the feature film Devotion.

Kabera Higgs was recently hired at the Williamstown Theatre Festival as assistant house manager.  A position she held last year at the Pennsylvania Shakespeare Festival.

Elizabeth McCooey a Senior Theatre and Biology major recently was a featured extra in several episodes of Cobra Kai on Netflix

Bryce Hargrove has been accepted into the MFA program of Brooklyn College and will be part of a selective 7 person cohort studying acting. 

Rachel Hartman is the Co-director of RabbitFoot Puppetry based in Chicago.  Her company has performed at  the Asheville Fringe, New Orleans Giant Puppetfest, and is a resident at the Agitator Gallery in Chicago.

Accreditation

Georgia Southern University’s Theatre program is an Institutional member of The National Association of Schools of Theatre (NAST). 

11250 Roger Bacon Drive, Suite 21
Reston, VA 20190-5248 
703-437-0700 
info@arts-accredit.org

Student Resources

Graduation Plan

Bachelor of Arts in Theatre Graduation Plan

Course Descriptions

Freshman Year
All Majors REGARDLESS OF AREA OF FOCUS

Fall  
THEA 2300 – Script Analysis
THEA 2333 – Acting I: Fundamentals of Acting

Spring
THEA 2332 – Stagecraft
THEA 1100 – Theatre Appreciation  or THEA 2410 Oral Interpretation

SOPHOMORE YEAR

Fall
THEA 3200 Stage Design Concepts
THEA Acting Elective (Acting Directing Concentration)

Spring
THEA 3230 Voice for the Stage
THEA 4330 or 4331 Theatre History I or II (depends on rotation)

Either Semester
THEA 2711 Theatre Practicum
Any THEA elective in area of concentration

JUNIOR YEAR

Fall
THEA 4337 Costume Design (Design Tech Concentration)
THEA Acting Elective (Acting Directing Concentration)
THEA elective
THEA 3711—Practicum—Professional Development

Spring
THEA 4330 or 4331 Theatre History I or II (depends on rotation)
THEA 4335 Scene Design or THEA 4336 Lighting Design (Design Tech Concentration)
THEA 3337 Directing (Acting Directing Concentration)
*Acting Directing Concentrations must take one upper division Design Class
THEA Elective

SENIOR YEAR

Fall
THEA 4711 Practicum—Capstone
THEA Electives (6 hours)

Spring
THEA 3337 Directing (Tech Design Concentration)
THEA Electives (6 hours)

You also need to complete your minor requirements – 15 credit hours, 12 of which need to be upper division.

Course Rotation
Following is the course rotation for theatre minor on the Armstrong Campus
This course rotation is tentative and is dependent on the availability of faculty. 
 
Each semester:
THEA 1100 – Theatre Appreciation
 
Each Fall:
THEA 2300 – Script Analysis
THEA 3200 – Stage Design Concepts
An upper division course
 
Each Spring:
THEA 2333 – Fundamentals of Acting
THEA 2332 – Stage Construction Techniques
 
Every other Fall:
THEA 3230 – Voice for the Stage
OR
THEA 3233 – Audition & Business
THEA 3337 – Directing
 
Every other Spring:
THEA 4335 – Scene Design
THEA 4334 – Drama in Performance
THEA 4330 – Theatre History I
THEA 4331 – Theatre History II
 
Following is the course rotation for the Statesboro Campus
This course rotation is tentative and is dependent on the availability of faculty. 
 
The following courses will be offered Fall 2023:
THEA 1100: Theatre Appreciation
THEA 2300: Script Analysis
THEA 2332: Stage Construction Techniques
THEA 2333: Fundamentals of Acting
THEA 2711/4711: Practicum
THEA 3234: Acting for the Screen
THEA 3333: Irish Theatre
THEA 3336: Theatre Management
THEA 3337: Directing
 
The following courses will be offered Spring 2024:
THEA 1100: Theatre Appreciation
THEA 2332: Stage Construction Techniques
THEA 2333: Fundamentals of Acting
THEA 2711/3711: Practicum
THEA 3131: Makeup
THEA 3230: Voice for the Stage
THEA 4332: Children’s Theatre
THEA 4335: Scene Design
THEA 4338: World Theatre-Russian
THEA 4711: Practicum
THEA 5530: Playwriting
 
The following courses will be offered Fall 2024:
THEA 1100: Theatre Appreciation
THEA 2330: Script Analysis
THEA 2332: Stage Construction Techniques
THEA 2333: Fundamentals of Acting
THEA 2711/4711: Practicum
THEA 3200: Design Concepts
THEA 3333: Irish Theatre
THEA 3336: Theatre Management
THEA 3337: Directing
THEA 3234: Acting for the Screen
 
The following courses will be offered Spring 2025:
THEA 1100: Theatre Appreciation
THEA 2332: Stage Construction Techniques
THEA 2333: Fundamentals of Acting
THEA 2711/3711: Practicum
THEA 3131: Makeup
THEA 3230: Voice for the Stage
THEA 3233: Audition and the Business of Acting
THEA 3330: Acting – Scene Study
THEA 4330: Theatre History I
THEA 4337: Lighting Design
 
The following courses will be offered Fall 2025:
THEA 1100: Theatre Appreciation
THEA 2330: Script Analysis
THEA 2332: Stage Construction Techniques
THEA 2333: Fundamentals of Acting
THEA 2711/4711: Practicum
THEA 3200: Design Concepts
THEA 3231: Movement for the Actor
THEA 3337: Directing
THEA 4333: Acting Styles
THEA 4337: Costume Design
 
The following courses will be offered Spring 2026:
THEA 1100: Theatre Appreciation
THEA 2300: Script Analysis
THEA 2332: Stage Construction Techniques
THEA 2333: Fundamentals of Acting
THEA 2711/3711: Practicum
THEA 3131: Makeup
THEA 3230: Voice for the Stage
THEA 3330: Scene Study
THEA 4331: Theatre History II
THEA 4332: Children’s Theatre
THEA 4335: Scene Design
THEA 4338: World Theatre – Russian
THEA 5530: Playwriting
 
The following courses will be offered Fall 2026:
THEA 1100: Theatre Appreciation
THEA 2300: Script Analysis
THEA 2332: Stage Construction Techniques
THEA 2333: Fundamentals of Acting
THEA 2711/4711: Practicum
THEA 3200: Scene Design Concepts
THEA 3234: Acting for the Screen
THEA 3333: Irish Theatre
THEA 3336: Theatre Management
THEA 3337: Directing
 
The following courses will be offered Spring 2027:
THEA 1100: Theatre Appreciation
THEA 2332: Stage Construction Techniques
THEA 2333: Fundamentals of Acting
THEA 2711: Pracitcum
THEA 3131: Makeup
THEA 3230: Voice for the Stage
THEA 3233: Audition and the Business of Acting
THEA 3330: Acting – Scene Study
THEA 4330: Theatre History I
THEA 4332: Children’s Theatre & Storytelling
THEA 4336: Lighting Design
Auditions
Theatre spring auditions Tuesday, Dec. 3, 6:30 p.m.

Auditions for Georgia Southern Theatre’s Spring shows will take place at the Center for Art & Theatre (233 Pittman Drive) Tuesday, Dec. 3, with callbacks Wednesday, Dec. 4, if needed. Auditions begin at 6:30 p.m.  You can sign up for audition times on a sign-up sheet at the box office on the first floor of the building starting Monday, Nov. 11. We encourage you to audition for both shows and ask that you leave 20 minutes between your audition slots.  You do not need to have anything prepared for the auditions. We encourage you to read the scripts ahead of time.

Auditions for spring:

“John Proctor is the Villain” by Kimberly Belflower

At a high school in a one-stoplight town in Georgia, an English class is studying The Crucible but the students are more preoccupied with navigating young love, sex ed, and a few school scandals. As the students delve into the American classic, they begin to question the play’s perspective and the validity of naming John Proctor the show’s hero. With deep wells of passion and biting humor, this comedy captures a generation mid-transformation, running on pop music, optimism, and fury, discovering that their future is not bound by the past and that they have the power to change it all.

Content Note: This play deals with issues of sexual abuse in conversation, never on stage. 

Click here for the script.

Cast  3M/6W * PA’s will play additional students

Carter Smith – Teacher – late 30s, smart and sensitive, a great teacher, charming, engaging, and goofy.  This role will be played by Professor John Goshorn.

Shelby Holcomb – student, 16, F. people have always underestimated her.

Beth Powell – student, 17, F. nervous and ambitious and enthusiastic. kind of like if Rory Gilmore and Paris Geller had a baby and raised her in the Deep South.

Nell Shaw – student, 17, F. from Atlanta. just because she’s ahead of the curve and ballsy as hell doesn’t mean she isn’t also vulnerable.

Ivy Watkins – student, 16, F. sheltered. from old Southern money. fiercely loyal and always well-intentioned. resist the urge to play her as a mean girl.

Raelynn Nix – student, 16. a cheerleader type who’s always lived her life by other peoples’ standards. razor-sharp but has no idea – until she does.

Mason Adams – student, 17, M. on the basketball team. earnest and affable.

Lee Turner – student, 16. M. a good ol’ boy. he’s always been good at getting what he wants.

Bailey Gallagher – counselor, 24. sweet and genuine. this is her first real job out of college. she’s doing her best.


William Wycerlys “The Country Wife” adapted by Rachel Atkins

In this updated version of the William Wycherley classic, Margery Pinchwife is a new bride, just arrived in the city with her husband and sister-in-law as Harry Horner, a notorious playboy, spreads the false rumor of his own impotence as cover for his affairs with the “honorable” women of society, including Sir Jaspar’s wife and her cohorts in the so-called “virtuous gang.” Horner’s former friend and possibly lover, Jack Pinchwife, desperately tries to keep Margery under his control and locked away from the temptations of city life, while also marrying off his sister Alithea to Sparkish, a ridiculous fop. Margery makes her escape, Sparkish and Mr. Pinchwife show their true selves, Horner adds Margery to his conquests, and Alithea finds a better match with Horner’s friend Harcourt. Throughout, Alithea’s maid Lucy manipulates behind the scenes of everyone’s schemes, exposing a tangled web of sexual innuendo, social hypocrisy, code-switching, lies, and intrigue that leaves no stereotype unturned.

Click here for the script.

Cast & Characters

Margery Pinchwife: Newly married to Jack. Her mask is an innocent, guileless, obedient country bumpkin, and she presents it to almost everyone except Alithea and Lucy. She learns quickly and is smarter than she lets on. 

Alithea Pinchwife: Younger sister of Jack, witty, straightforward, and honorable. Margery’s ally, but she is beholden to and powerless under her controlling brother. Engaged to Sparkish out of obligation, she falls in love with Harcourt. 

Lucy: Alithea’s sensible, intelligent, and insightful maid. Resourceful in organizing and executing a variety of schemes, she also works for others when it suits her, including Horner and Harcourt. Knows everybody, sees everything, understands how to use information to her advantage, and plays the long game. 

Lady Fidget: Married to Sir Jasper Fidget and the leader of the “virtuous gang” of Society ladies. Her mask is the upright and honorable Society wife, which she uses with her husband and in public, in order to enjoy herself with her friends and lovers in private. 

Mistress Squeamish: Cousin of the Fidgets, one of Lady Fidget’s sidekicks in the “virtuous gang” of Society ladies.  

Dainty Fidget: Unmarried sister of Sir Jasper Fidget, one of Lady Fidget’s sidekicks and the most innocent/inexperienced of the “virtuous gang” of Society ladies. 

Harry Horner: A notorious City playboy, rake and wit. He wears a variety of masks: the impotent eunuch in public and in front of the husbands whose wives he wants to sleep with; the loyal buddy to his friends; the smitten lover to his sexual conquests. 

Jack Pinchwife: Newly married to Margery. An aging former playboy, he is now the archetypal jealous husband: obsessive, tyrannical, suspicious and violent. He attempts to mask these qualities behind a show of strength, but does not succeed. 

Sparkish: A shallow, self-centered, would-be playboy who considers himself a wit, but is thought a ridiculous fool by everyone else.  He wants admiration, and Alithea’s dowry. 

Sir Jasper Fidget: An oblivious and gullible Society gentleman, married to Lady Fidget. Believes he is more aware and insightful than he is.

Frank Harcourt: A witty, rakish, but honest friend of Horner’s. Falls in love with Alithea, which brings out his better nature, although he still employs trickery to attain her.

Documents

Student Involvement

Minor in Theatre

The Minor in Theatre requires 15 credit hours with a minimum of 12 upper-division credits. This program offers a versatile exploration of theatrical arts, allowing you to tailor your minor to your individual interests and career goals. You can choose to focus in one of three main areas:

  • scripts and directing or theatre history
  • stage construction and various aspects of theatrical design
  • acting fundamentals, auditioning, scene study and acting for the camera

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Last updated: 10/16/2024